Pastel Fine Art Photography Prints
Fine art photography prints united by a signature soft-toned palette — pale coral, seafoam, warm sand, and open sky. These pastel wall art prints transform California coastlines, Colorado reflections, and New York springtime into something closer to memory than documentation.
The luminous, muted color treatment is a deliberate editorial choice by award-winning photographer Glen Wilbert, whose pastel aesthetic has been recognized with a Gold Medal in the Fine Art Category at the reFocus Awards. Available as framed canvas prints in sizes from 8×10 to 24×36 inches, on archival-weight canvas with pine tree frame and floating effect. The perfect complement to modern interiors, Scandinavian-inspired spaces, and design-conscious homes seeking wall art with warmth and subtlety.
Award-Winning Photography · 30+ Juried Exhibitions · Archival-Quality Canvas · Ready to Hang · Ships Worldwide
In "Nevada Desert Orange," Glen Wilbert photographs a close-up section of desert rock, framing a warm orange field cut across by a pale cream ridge and soft layered lines that curve down through the center of the frame.
The composition holds a warm pastel palette of orange, peach, and cream, with the color running in soft blended layers rather than sharp bands. Glen framed the rock tight and let the pale rounded form at the top left set against the deeper orange below, so the picture reads as one shape resting on another. Faint cracks and stripes trace the surface, giving the flat color a quiet inner rhythm without ever breaking its softness.
The image was made in the Nevada desert, capturing the layered warmth of sun-lit sandstone. It is part of a four-piece series that treats the desert as an arrangement of close-up color and form, pairing with the yellow, purple, and rose pieces.
A study in pastel warmth and soft form, where the desert is reduced to blended fields of orange and cream.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
Framed canvas print, pine wood frame with a floating-frame effect
Frame thickness: 1.25 in (3.18 cm)
Canvas weight: approximately 344 g/m2
White frame with a white inner border around the canvas
Open back, rubber corner pads, hanging hardware attached
Printed and framed in the USA
In "Nevada Desert Rose," Glen Wilbert photographs a close-up section of desert rock, filling almost the whole frame with a broad expanse of soft rose and gold stone marked with faint flowing lines and quiet shifts of color.
The composition is the most open of the four in the series: a nearly monochrome field of pastel pink washed with gold at the corners, with subtle marks that trace across the surface like soft brushstrokes. Glen framed the scene wide across the rock so no clear edge divides the picture, and the eye moves across the color and the gentle textures instead. The overall effect is close to painting, the desert reduced to a single quiet expanse.
The image was made in the Nevada desert, capturing the soft blush of sunlit sandstone. It is part of a four-piece series that reads the desert as close-up color and surface, pairing with the yellow, purple, and orange pieces.
A study in pastel tone and softness, where the desert is reduced to a single quiet field of rose.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
Framed canvas print, pine wood frame with a floating-frame effect
Frame thickness: 1.25 in (3.18 cm)
Canvas weight: approximately 344 g/m2
White frame with a white inner border around the canvas
Open back, rubber corner pads, hanging hardware attached
Printed and framed in the USA
In "Nevada Desert Yellow," Glen Wilbert photographs a close-up section of desert rock, framing a warm yellow-gold surface that meets a jagged edge of turquoise and lavender staining along the left of the frame.
The composition is built on two fields: the smooth, sandy yellow of the sunlit rock on one side and the cooler mineral color, pale turquoise streaked with violet and rust, on the other, divided by a soft, uneven line. Glen shot in tight so the frame holds nothing but the rock itself, with subtle fractures running across the yellow surface and grains of texture catching the light. The palette stays soft and sun-faded throughout, keeping the whole picture in a quiet pastel range.
The image was made in the Nevada desert, capturing the natural staining that mineral deposits and weathering leave on sandstone. It is one of a four-piece series that treats the desert as a study in close-up color and edge rather than wide landscape.
A study in pastel color and edge, where two mineral fields meet along a single quiet line.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
Framed canvas print, pine wood frame with a floating-frame effect
Frame thickness: 1.25 in (3.18 cm)
Canvas weight: approximately 344 g/m2
White frame with a white inner border around the canvas
Open back, rubber corner pads, hanging hardware attached
Printed and framed in the USA
In "Death Valley," Glen Wilbert photographs the eroded badlands at Zabriskie Point in Death Valley National Park, California, capturing the ridged, folded hills at dusk under a clear blue sky.
The image holds a cool pastel palette of blues, grays, and pale gold, the light of early evening flattening the ridges into soft tonal bands. Glen framed the rippling, sculpted formations so that their ridgelines run in overlapping diagonals across the frame, with a darker channel cutting through the center. The low light brings out the texture of the eroded clay while keeping the overall color soft and muted.
Zabriskie Point is one of the most visited overlooks in Death Valley, known for its wavelike badlands formed from ancient lake sediments. It is a landmark stop in the Southwest desert and a natural subject for the When in Roam project.
A study in pastel tone and natural pattern, where the desert is rendered in soft blue light and folded line.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Death Valley Artist Palette 1," Glen Wilbert photographs the mineral-stained hills at Artists Palette in Death Valley National Park, California, looking up a narrow wash where a band of pale blue sediment runs between rust, tan, and rose-colored slopes.
The image holds a soft pastel palette, with the cool blue-green of the foreground gully set against the warmer pinks and golds of the surrounding hills and a faint streak of cloud above. Glen positioned the camera low in the channel so the eye follows the curving blue wash uphill toward the brighter, sunlit ridge in the distance. The framing turns the natural color banding of the rock into broad, overlapping fields of muted color.
Artists Palette is a well-known stop along Artists Drive, where oxidized metals in the volcanic soil tint the hills in greens, blues, and reds. It is one of the most photographed spots in the park and a natural subject for the When in Roam project.
A study in pastel color and natural pattern, where the desert's mineral hues are read as soft, layered fields.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Death Valley Artist Palette 2," Glen Wilbert photographs a cluster of eroded boulders at Artists Palette in Death Valley, framing the rounded mineral formations close up against a thin strip of bright turquoise sky.
The image holds an even softer pastel range than its companion piece, with the rock washed in pale green, lavender, cream, and gold. Glen filled most of the frame with the formations themselves, shooting from the floor of a small wash so the pale mounds rise on either side and a shadowed path leads between them into the distance. The close framing and high-key light flatten the scene into soft, blended color, with texture surfacing only in the foreground gravel.
This is a second view of the Artists Palette area, where mineral deposits tint the volcanic rock in unusual colors. Where the first piece follows a blue wash uphill, this one moves in close on the rock itself.
A study in pastel tone and soft form, where the desert is reduced to pale, sunlit color.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Downtown LA 1," Glen Wilbert photographs the intersecting walls of buildings in downtown Los Angeles, framing a lavender upper wall, a deep purple beam, and a coral lower wall that meet at sharp diagonals, with a palm and a glass tower visible through the gap.
The composition is built almost entirely from flat planes of color and angle: the textured lilac stucco above, the diagonal purple band cutting across the center, and the orange wall rising from below. Glen pointed the camera up and across so the architecture breaks into clean geometric shapes, with a small protruding light fixture and the fronds of a palm tree the only curved elements. A pale, windowed high-rise fills the wedge of space between the walls. The palette is soft and sun-bleached throughout.
This is one of Glen's downtown Los Angeles studies, where ordinary buildings are reframed as arrangements of color and line, recalling the pop-influenced minimalism of Ruscha and Hockney.
A study in pastel color and geometry, where the city is reduced to intersecting planes.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Lady Liberty 1," Glen Wilbert photographs the Statue of Liberty from directly below, framing the raised right arm and the underside of the torch against a pale blue sky, with one point of the crown rising at the lower right.
The image isolates a single gesture, the upstretched arm holding the torch, so the familiar monument becomes one strong diagonal reaching across the frame. The patinated copper reads in soft mint green, lit evenly against the cool sky so the folds of the sleeve and the platform of the torch stand out in gentle relief. Glen's low, tilted vantage crops away the rest of the statue, leaving only the arm, the torch, and a spike of the crown.
The Statue of Liberty, on Liberty Island in New York Harbor, is among the most recognized monuments in the world. Glen photographs it as a cropped detail rather than the whole figure, focusing on the raised arm alone.
A study in pastel color and gesture, where a famous monument is reduced to a single reaching line.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Joshua Tree Sunset," Glen Wilbert photographs a single tall Joshua tree standing in the high desert at dusk, its branching arms rising against a sky that shades from pale blue down to soft pink along the horizon.
The image holds a gentle pastel gradient, the cool blue at the top of the frame melting into rose and peach near the ground, with the dark form of the Joshua tree centered against it. Glen framed the tree from below so its silhouette reaches into the colored sky, with a smaller yucca, scattered desert scrub, and rounded boulders filling the foreground. The fading light keeps the colors muted and even, and the distant mountains sit as a thin blue line on the horizon.
Joshua Tree National Park, where the Mojave and Colorado deserts meet in Southern California, is named for these distinctive trees. It is a landmark stop on the desert road trip and a recurring subject in Glen's work.
A study in pastel light and silhouette, where a single desert tree stands against the colors of dusk.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Bicycle Rack, Huntington Beach," Glen Wilbert photographs five surfboards standing upright in the sand, spaced evenly across the frame in yellow, red, white, green, and pink, with the flat beach, a low wall, the ocean, and a distant lifeguard tower behind them.
The composition is built on repetition and spacing: five vertical boards lined up like marks across a horizontal field, each a different color against the pale sand and sky. Glen shot the scene head-on and from a distance, flattening it into clean horizontal bands, sand, wall, beach, sea, sky, interrupted by the upright boards. The palette is soft and sun-washed, the colors muted rather than saturated, which is characteristic of his pastel coastal work.
Huntington Beach, on the Southern California coast, is known as Surf City and is a recurring location in Glen's beach photographs. The boards' even spacing gives an everyday beach scene the ordered, deliberate quality of a designed composition.
A study in pastel tones and clean spacing, where the California coast is reduced to color and interval.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Lifeguard Caps, Southern California," Glen Wilbert photographs a dense crowd of junior lifeguards seated on the sand, shot from above so the yellow caps repeat across the whole frame like a scattered field of dots among red suits and bare shoulders.
The image fills edge to edge with the seated group, the bright yellow swim caps providing a repeating pattern across a warm ground of skin, red swimsuits, and patches of blue clothing. Glen's elevated, top-down vantage removes the horizon entirely, turning the gathering into an overall texture of color and repetition. The packed, busy surface rewards close looking, with small individual moments emerging from the crowd.
This is a companion to Glen's other junior-lifeguard images from the Southern California coast, where the camp's caps and suits become the raw material for pattern. Where the swimming picture spreads red caps across open water, this one packs yellow caps tight across the sand.
A study in pastel color and repetition, where a crowd is read as an allover field of pattern.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Sunset Zoetrope," Glen Wilbert photographs a line of birds flying in single file along the horizon at sunset, the evenly spaced silhouettes strung across a sky that shades from deep blue at the top to orange at the waterline above a calm beach.
The image holds a clean pastel gradient, blue melting through to gold, with the birds reading as small dark shapes spaced almost rhythmically across the lower third of the frame. Glen kept the composition spare and horizontal: a broad open sky, a thin line of headland, the gentle surf, and the wet sand catching the warm color below. The repeated, evenly spaced birds give the picture its title, suggesting the frames of a zoetrope or a single motion broken into steps.
The scene was made on the California coast at dusk, capturing the flock's passage along the shore. The repetition of the birds in motion reflects what Glen describes as the decisive moment, here stretched into a sequence across the sky.
A study in pastel gradient and rhythm, where a line of birds marks soft intervals across the horizon.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Lifeguard Camp, Huntington Beach," Glen Wilbert photographs a group of junior lifeguards swimming across pale green water in red caps, shot from directly above so the swimmers, their white wakes, and a few scattered red and blue floats spread across the frame like marks on a field.
The image is shot from a high overhead vantage that flattens the sea into a soft pastel plane of mint and aqua, with the red caps reading as bright points of color distributed across it and the white churn of swimming bodies breaking up the surface. The even color and scattered red dots give the photograph a strong graphic, near-abstract quality.
Huntington Beach, known as Surf City on the Southern California coast, runs a well-known junior lifeguard program. This image won First Place, Photographer of the Year at the 2024 iPhone Photography Awards.
A study in pastel color and pattern, where an everyday beach scene becomes a field of red, blue, and green.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Thin Red Line," Glen Wilbert photographs a pink-roofed lifeguard tower marked with the number 1 on a pale, high-key beach, with a long row of junior lifeguards in red suits lined up in the distance along the horizon behind it.
The image holds a soft, washed-out pastel palette, the white sand and pale sky nearly merging so the scene reads as a field of light. Glen framed the tower at center with its pink roof and blue numeral as the main points of color, while the distant line of lifeguards forms the thin red band that gives the picture its title, a single horizontal stroke of red across the muted ground. A low brick wall runs along the foreground. The spare, minimal framing turns the beach into an almost empty stage.
This is part of Glen's Southern California junior-lifeguard series, here pulled back to its most minimal: the lone tower and the far red line. It shares its subject with his other lifeguard images but trades pattern and crowd for emptiness and a single accent of color.
A study in pastel light and restraint, where a beach is reduced to pale space and one thin line of red.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Downtown LA 2," Glen Wilbert photographs a bright yellow beam cutting diagonally across the frame in front of two tall downtown Los Angeles towers, with a columned older building and a palm tree visible at the lower left.
The composition sets a single strong diagonal, the sunlit yellow-and-orange beam with its round bolt heads, against the cool vertical lines of the skyscrapers behind. Glen shot from below and let the beam slice the image corner to corner, dividing modern glass towers from the classical facade beneath. The pale blue sky and warm beige buildings keep the palette soft, while the saturated yellow band anchors the eye. The contrast of old and new architecture sits within one frame.
This is a companion to Glen's other downtown Los Angeles studies, again treating the city's structures as a composition of color, line, and angle in the manner of West Coast pop minimalism.
A study in pastel tone and bold diagonal, where the city is built from a single crossing line.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Cadillac Ranch - Amarillo, TX," Glen Wilbert photographs the row of half-buried Cadillacs at the famous roadside installation, their nose-down tail fins lined up across the flat Texas plain beneath a wide, cloud-filled sky.
The composition gives most of the frame to the pale, overcast sky, with the cars compressed into a thin band along the horizon. Shot from a distance and straight on, the buried cars read as a row of evenly spaced shapes, their spray-painted colors softened to pastel against the dry tan earth. The large empty sky and small line of cars create a strong sense of open, flat space.
Cadillac Ranch, west of Amarillo along old Route 66, is a public art installation created in 1974, where ten Cadillacs are buried nose-first and continually repainted by visitors. It is one of the most recognized landmarks of the American road trip, exactly the kind of subject Glen's When in Roam project is built around.
A study in pastel color and open space, where a roadside icon is reduced to a quiet line on the horizon.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Freedom Tower Reflection," Glen Wilbert photographs One World Trade Center mirrored in water, framing a sweeping curved edge where a band of orange meets deep blue and the tower appears as a soft vertical reflection.
The image is built on a single bold curve and two fields of color: warm orange along the upper right, cool blue filling the lower left, divided by a clean pale arc. Within the orange band, the reflected skyline and the slim shape of the tower shimmer in broken vertical streaks on the moving water. Glen framed the scene so the curve becomes the dominant line, turning a reflection into a near-abstract composition of color and shape.
The Freedom Tower, built at the site of the original World Trade Center in Lower Manhattan, is the tallest building in the United States. Glen photographs it indirectly, as a reflection rather than a portrait, in keeping with his minimalist approach to landmarks.
A study in pastel color and curve, where a New York landmark is read through its reflection.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Lifeguard Tower 7, Southern California," Glen Wilbert photographs a blue lifeguard tower marked with the number 7, cropping in close on its angular side and railing so the structure fills the left of the frame against a soft, hazy sky, with the ocean and a thin strip of beach below.
The image holds a muted pastel palette of teal blue and pale gray, the tower's flat painted panels and steel railing set against an almost colorless sky. Glen framed the building from the side and let its sloping roofline and supporting legs form clean diagonals, with the bold numeral 7 anchoring the composition. The distant surf and sandy bluff at the lower edge place the tower on the coast without competing with it.
Numbered lifeguard towers line the beaches of Southern California and recur throughout Glen's coastal work. Here a single tower is treated as a quiet study in color, shape, and signage.
A study in pastel tone and clean shape, where a coastal structure is reduced to color and number.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Migration, Colorado," Glen Wilbert photographs two geese flying low over a wide stretch of still water at dawn, the birds small and centered against soft mist, a faint tree line, and a pale sky touched with a single patch of pink cloud.
The image holds a quiet pastel palette of muted blues, grays, and warm browns, the calm water below shading from cool to soft gold and the far shore dissolving into morning fog. Glen placed the pair of birds at the center of an otherwise open and minimal frame, so the two dark shapes carry the whole composition against the empty water and sky. The reflection of the sky on the still surface keeps the lower half soft and almost weightless.
The scene was made on Colorado water at first light, capturing a fleeting moment of two birds in motion across a calm landscape. It reflects what Glen describes as the decisive moment, here as quiet as the setting around it.
A study in pastel tone and stillness, where two birds in flight anchor a soft, open scene.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Impressions NYC Skyline," Glen Wilbert photographs the New York City skyline as a blur of motion, the buildings smeared into faint vertical streaks beneath a clear sky and above broad horizontal bands of green and tan.
The image is the most abstract in the series, made with deliberate camera movement so the skyline dissolves into soft, ghostly verticals along the horizon. The frame divides into calm horizontal zones: pale blue sky at the top, the blurred city in the middle, and the green and sand-colored bands of land and water below. Only a few taller towers hold their shape enough to be read as buildings. The grain and softness give the picture the quality of a painting more than a sharp photograph.
The title points directly to Impressionism, and the piece works the same way, suggesting the city through color and light rather than detail. It is Glen's most painterly take on New York.
A study in pastel tone and motion, where the skyline is rendered as soft bands of color.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Lady Liberty 2," Glen Wilbert photographs the Statue of Liberty from close below, framing the heavy folds of her robe, several spikes of the crown, and the edge of the tablet held in her arm against a clear sky.
The image moves in tight on the sculpture's draped copper, filling most of the frame with the curving folds of fabric rendered in soft mint and pale green. Glen shot from below and to the side so the robes sweep diagonally across the picture, the crown spikes cut into the sky at the upper left, and the squared edge of the tablet anchors the right. The close crop emphasizes the texture and weight of the metalwork rather than the statue's overall form.
This is a second, closer view of the Statue of Liberty in New York Harbor, paired with the torch-and-arm study. Together they treat the monument as a set of details rather than a single postcard image.
A study in pastel tone and drapery, where a landmark is read through its folds and edges.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Monument Valley - A Look Back," Glen Wilbert photographs a Monument Valley butte caught in a car's side mirror at sunset, the small reflected formation glowing against a gold sky inside the mirror while a larger red mesa rises in the landscape beyond.
The image plays one view against another: the dark curved housing of the side mirror fills the lower left, holding a bright reflection of a lone butte and the setting sun, while the actual desert and a sunlit red mesa sit out of focus behind it. Glen kept the warm pastel palette of dusk, gold and rust and soft blue, and let the engraved mirror text, "objects in mirror are closer than they appear," read faintly across the glass. The contrast between the sharp reflection and the soft background gives the picture its depth.
The image captures the experience of leaving Monument Valley by car, the landmark seen in the mirror as the road carries on. It is a literal expression of the When in Roam idea of the look back from the open road.
A study in pastel light and reflection, where the desert is seen twice, once in the mirror and once beyond it.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Palm Trees, Los Angeles," Glen Wilbert photographs a long row of palm trees lined up behind a concrete wall, the wall cutting across the frame on a strong diagonal so the palms appear to climb from the lower left to the upper right against a clear blue sky.
The composition is built on a single diagonal: the plain gray wall divides the picture corner to corner, with the evenly spaced palm trunks rising behind it and growing taller toward the right. Glen shot from a low angle along the wall so the perspective compresses the trees into a receding rhythm of vertical lines. The palette is soft and sun-faded, the blue sky and tan concrete kept gentle, with the green palm crowns the only strong color.
This is a Los Angeles street scene reduced to its simplest elements, the row of palms and the diagonal wall. The deadpan framing and repetition recall the Los Angeles photography of Ed Ruscha.
A study in pastel color and diagonal line, where a row of palms becomes a simple receding rhythm.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Palm Springs Reflections," Glen Wilbert photographs a still motel pool at dusk in Palm Springs, the calm green water filling the lower frame and holding soft reflections of the palm trees, low buildings, and mountains behind it.
The image holds a quiet pastel palette of green water, pale sky, and warm desert mountain, the light of early evening keeping everything muted and soft. Glen shot low and close to the water so the smooth pool surface dominates the composition, with the row of tall palms, the mid-century motel, and the string of patio lights compressed into a band across the top. The reflections of the palms ripple faintly on the surface, and a few lights glow at the water's edge.
Palm Springs, in the California desert, is known for its mid-century modern motels and poolside culture. Glen records a calm moment at dusk, treating the pool as a still, reflective plane in the manner of Hockney's California pool paintings.
A study in pastel tone and reflection, where a desert pool becomes a quiet mirror at dusk.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Pink Sunset, California," Glen Wilbert photographs a quiet California beach at sunset, a few small sandpipers gathered on the wet sand in the foreground while a soft pink and peach sky spreads above a gently breaking wave.
The image holds a warm pastel palette of rose, peach, and pale blue, the colors of the sky echoed in the sheen of the wet sand below. Glen framed the scene low so the smooth, mirror-like beach fills the lower half and reflects the soft light, with the small birds reading as dark points against it and a thin line of white surf crossing the middle. The overall softness keeps the picture calm and luminous rather than dramatic.
The scene captures an ordinary, peaceful moment on the California coast at the end of the day, the shorebirds working the tide line. The soft light and beachfront subject connect it directly to the When in Roam coastal work.
A study in pastel light and reflection, where a soft sky and wet sand meet in gentle color.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Sunrise, Monument Valley," Glen Wilbert photographs a single butte in Monument Valley silhouetted against the sunrise, the dark rounded formation standing on the open plain while the sky behind it glows gold and a far ridge catches the first red light.
The image holds a warm pastel palette of gold, amber, and soft brown, the rising sun flooding the sky behind the butte and leaving the formation itself in near-total shadow. Glen framed the scene with the silhouetted butte centered above a wide foreground of dry grassland, so the dark shape reads against the luminous sky while a thin band of sunlit red rock glows along the horizon to the right. The grain and soft light give the picture a quiet, early-morning stillness.
This is the fourth in Glen's Monument Valley series, taken at first light on the high desert plain near the Utah-Arizona border. Where the other valley images follow the road or the mirror, this one reduces the landmark to a single dark silhouette against the dawn.
A study in pastel light and silhouette, where a desert butte stands dark against a glowing sunrise.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Sunrise, NYC," Glen Wilbert photographs the New York skyline at dawn as seen through a sheer curtain, the buildings softened into a hazy green silhouette against a blue sky, with the vertical folds of the fabric falling across the frame.
The image holds a soft pastel palette of blue and muted green, the city dissolved by the curtain into a faint, textured silhouette along the lower half. Glen shot through the hanging fabric so its vertical seams divide the picture into loose panels and the skyline reads as a quiet outline rather than sharp detail. A couple of small points of warm light glow through the haze. The result is gentle and near-abstract, the city seen as if half-remembered on waking.
This is a quiet, interior view of a New York morning, the skyline glimpsed from a window rather than out in the open. It is among Glen's most atmospheric and painterly images of the city.
A study in pastel tone and softness, where the skyline is reduced to a faint silhouette behind the curtain.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Sunset, Pacific Coast Highway," Glen Wilbert photographs a turquoise convertible lowrider crossing the Pacific Coast Highway at sunset, the car moving across a wide striped crosswalk while a row of palm trees lines the horizon against a glowing sky.
The image holds a warm pastel palette, the sky shading from soft blue down to gold and the whole scene carrying a slightly faded, sun-washed tone. Glen framed the bright turquoise car off-center on the crosswalk, its color standing out against the muted asphalt, with the painted white stripes leading in from the foreground and the silhouetted palms and traffic signals strung across the back. The ocean sits as a thin line beyond the intersection. The single car in motion is the decisive moment that completes the composition.
The Pacific Coast Highway, running along the Southern California shoreline, is one of the most iconic drives in America. The classic convertible, palms, and sunset place this squarely in the When in Roam road-trip and California-culture theme.
A study in pastel light and color, where a single bright car anchors a sun-faded coastal scene.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Nevada Desert Purple," Glen Wilbert photographs a close-up section of layered desert rock, framing the mineral-banded surface where a pale pink field meets a band of lavender and a wash of soft mint green rising along the right of the frame.
The composition holds a full pastel range of pink, violet, and green, the color running in soft horizontal bands across the layered stone. Glen framed the rock tight so the picture reads as fields of color separated by rippling natural lines, with the shift from cool green to warm pink giving the image its structure. The surface texture, faint striations and shallow ridges, keeps the color from ever going flat.
The image was made in the Nevada desert, where mineral deposits and weathering tint the sandstone in unusual soft colors. It is part of a four-piece series that reads the desert as close-up bands of color rather than wide landscape, and pairs directly with the yellow, orange, and rose pieces in the set.
A study in pastel color and banding, where the desert is read as soft horizontal fields.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
Framed canvas print, pine wood frame with a floating-frame effect
Frame thickness: 1.25 in (3.18 cm)
Canvas weight: approximately 344 g/m2
White frame with a white inner border around the canvas
Open back, rubber corner pads, hanging hardware attached
Printed and framed in the USA