New York City Fine Art Photography Prints
Minimalist fine art photography prints of New York City. Central Park's geometry framed by seasons. The Freedom Tower caught in a puddle's reflection. Lady Liberty as silhouette against open sky. Pier beams framing the Manhattan skyline. These NYC wall art prints approach the most photographed city in the world with a reductive eye — seeking the clean line, the quiet moment, and the composition within the chaos.
Shot by Glen Wilbert, whose New York work has been selected for Soho Photo Gallery's National Competition and fotofoto gallery's National Photography Exhibition. Available as framed canvas prints in sizes from 8×10 to 24×36 inches. Each print features a pine tree frame with floating effect, archival-weight canvas, and pre-installed hardware, ready to hang.
Award-Winning Photography · 30+ Juried Exhibitions · Archival-Quality Canvas · Ready to Hang · Ships Worldwide
In "Spring, NYC," Glen Wilbert photographs the Solomon R. Guggenheim Museum in New York, framing the smooth curved coils of its spiral facade beside the flat grid of an adjacent building, with a single bare branch in early bloom hanging into the upper left of the frame.
The image is rendered in a very high-key black and white, almost white on white, so the rounded forms of the Guggenheim read as soft gradations of pale gray rather than hard edges. Glen set the museum's sweeping curves against the regular windows and straight lines of the neighboring tower, contrasting organic and rectilinear architecture. The thin dark branch with its few small blossoms is the one delicate element, marking the season and giving the title its meaning.
The Guggenheim, designed by Frank Lloyd Wright on Fifth Avenue, is one of the most recognized works of modern architecture in the world. Glen photographs it as a near-abstract study of curve against grid.
In black and white, the composition is built on curve and contrast: the soft spiral of the museum set against a flat window grid.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Pier Beams, New York City," Glen Wilbert photographs the remains of an old pier on the Brooklyn waterfront, rows of weathered wooden pilings standing in shallow water and leading the eye across the East River to the Lower Manhattan skyline.
The image is rendered in black and white, with the dark pilings repeating in receding rows from the rocky foreground out toward the water. Glen positioned the camera low and centered so the lines of posts converge toward the distant skyline, where the towers of the Financial District, including One World Trade Center, rise along the horizon. Large pale rocks anchor the bottom of the frame and the bare winter trees soften the far bank. The repetition of the pilings gives the picture its structure.
These pilings, the remnants of a former pier in Brooklyn Bridge Park, are a well-known foreground for the Manhattan skyline. Glen frames the modern city through the worn remains of the old working waterfront.
In black and white, the composition is built on repetition and perspective: rows of dark pilings leading to the distant skyline.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Nightlights, NYC," Glen Wilbert photographs the Manhattan skyline after dark, the illuminated spire of the Empire State Building rising above a dense field of lit windows, with the moon hanging in the black sky to its left.
The image is rendered in black and white and built almost entirely from points of light against deep shadow, the towers reading as dark masses pierced by grids of bright windows. Glen framed the Empire State Building off-center near the top so its lit crown and antenna anchor the composition, while the lower city dissolves into a scatter of smaller lights stretching to the harbor. The high contrast between the black sky and the white lights gives the picture its graphic structure, and the small moon adds a single quiet detail above the skyline.
This elevated view of midtown and lower Manhattan is one of the most familiar nightscapes in the world. Glen treats it as a study in light and dark rather than a sweeping panorama.
In black and white, the composition is built on light and shadow: bright windows and a lit tower set against a field of black.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Lady Liberty 2," Glen Wilbert photographs the Statue of Liberty from close below, framing the heavy folds of her robe, several spikes of the crown, and the edge of the tablet held in her arm against a clear sky.
The image moves in tight on the sculpture's draped copper, filling most of the frame with the curving folds of fabric rendered in soft mint and pale green. Glen shot from below and to the side so the robes sweep diagonally across the picture, the crown spikes cut into the sky at the upper left, and the squared edge of the tablet anchors the right. The close crop emphasizes the texture and weight of the metalwork rather than the statue's overall form.
This is a second, closer view of the Statue of Liberty in New York Harbor, paired with the torch-and-arm study. Together they treat the monument as a set of details rather than a single postcard image.
A study in pastel tone and drapery, where a landmark is read through its folds and edges.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Lady Liberty 1," Glen Wilbert photographs the Statue of Liberty from directly below, framing the raised right arm and the underside of the torch against a pale blue sky, with one point of the crown rising at the lower right.
The image isolates a single gesture, the upstretched arm holding the torch, so the familiar monument becomes one strong diagonal reaching across the frame. The patinated copper reads in soft mint green, lit evenly against the cool sky so the folds of the sleeve and the platform of the torch stand out in gentle relief. Glen's low, tilted vantage crops away the rest of the statue, leaving only the arm, the torch, and a spike of the crown.
The Statue of Liberty, on Liberty Island in New York Harbor, is among the most recognized monuments in the world. Glen photographs it as a cropped detail rather than the whole figure, focusing on the raised arm alone.
A study in pastel color and gesture, where a famous monument is reduced to a single reaching line.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Impressions NYC Skyline," Glen Wilbert photographs the New York City skyline as a blur of motion, the buildings smeared into faint vertical streaks beneath a clear sky and above broad horizontal bands of green and tan.
The image is the most abstract in the series, made with deliberate camera movement so the skyline dissolves into soft, ghostly verticals along the horizon. The frame divides into calm horizontal zones: pale blue sky at the top, the blurred city in the middle, and the green and sand-colored bands of land and water below. Only a few taller towers hold their shape enough to be read as buildings. The grain and softness give the picture the quality of a painting more than a sharp photograph.
The title points directly to Impressionism, and the piece works the same way, suggesting the city through color and light rather than detail. It is Glen's most painterly take on New York.
A study in pastel tone and motion, where the skyline is rendered as soft bands of color.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Freedom Tower Reflection," Glen Wilbert photographs One World Trade Center mirrored in water, framing a sweeping curved edge where a band of orange meets deep blue and the tower appears as a soft vertical reflection.
The image is built on a single bold curve and two fields of color: warm orange along the upper right, cool blue filling the lower left, divided by a clean pale arc. Within the orange band, the reflected skyline and the slim shape of the tower shimmer in broken vertical streaks on the moving water. Glen framed the scene so the curve becomes the dominant line, turning a reflection into a near-abstract composition of color and shape.
The Freedom Tower, built at the site of the original World Trade Center in Lower Manhattan, is the tallest building in the United States. Glen photographs it indirectly, as a reflection rather than a portrait, in keeping with his minimalist approach to landmarks.
A study in pastel color and curve, where a New York landmark is read through its reflection.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Central Park," Glen Wilbert photographs the Jacqueline Kennedy Onassis Reservoir in New York's Central Park, looking across the water to the Upper West Side skyline, with a wrought-iron fence running along the bottom of the frame.
The image is rendered in black and white and arranged in clear horizontal layers: the dark iron fence in the foreground, the still water of the reservoir, the bare winter trees along the far bank, and the apartment buildings rising behind, including the twin-towered San Remo. The decorative finial of the fence sits at right, slightly closer to the camera, giving the flat scene a point of depth. The calm water holds soft reflections of the skyline.
The reservoir and its running track are among the most familiar settings in Central Park, ringed by the landmark apartment buildings of Manhattan. Glen frames the view through the historic cast-iron fence, using it to anchor the composition.
In black and white, the composition is built on layering and silhouette: the dark fence set against the soft gray skyline and water.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA
In "Sunrise, NYC," Glen Wilbert photographs the New York skyline at dawn as seen through a sheer curtain, the buildings softened into a hazy green silhouette against a blue sky, with the vertical folds of the fabric falling across the frame.
The image holds a soft pastel palette of blue and muted green, the city dissolved by the curtain into a faint, textured silhouette along the lower half. Glen shot through the hanging fabric so its vertical seams divide the picture into loose panels and the skyline reads as a quiet outline rather than sharp detail. A couple of small points of warm light glow through the haze. The result is gentle and near-abstract, the city seen as if half-remembered on waking.
This is a quiet, interior view of a New York morning, the skyline glimpsed from a window rather than out in the open. It is among Glen's most atmospheric and painterly images of the city.
A study in pastel tone and softness, where the skyline is reduced to a faint silhouette behind the curtain.
Awards and Recognition
Glen Wilbert's work has earned national recognition, including First Place at the 2024 iPhone Photography Awards, multiple Gold Medals at the reFocus Awards, and selection for more than thirty juried exhibitions across the United States.
Details
• Framed canvas print, pine wood frame with a floating-frame effect
• Frame thickness: 1.25 in (3.18 cm)
• Canvas weight: approximately 344 g/m2
• White frame with a white inner border around the canvas
• Open back, rubber corner pads, hanging hardware attached
• Printed and framed in the USA